The subject of this work is the capital vice gluttony and its manifold and complex presence in two of Chaucer’s tales, The Pardoner’s Tale and The Parson’s Tale. The following is one of the many interpretations possible and, undoubtedly, cannot and does not claim to be exhaustive. Precisely because the medieval debate on this vice – and the sins derived therefrom – is rich and abundant, I have attempted to focus on the wider social and cultural aspects of the two tales where the various levels of significance that they express are set, as well as on the peculiar linguistic-literary characteristics used to express these concepts. In effect, it is in such a wider perspective that looks beyond the pure textual aspects that we can construe the ...
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
Part of a special issue on René Girard. The tales of fragment 7 of Chaucer\u27s Canterbury Tales col...
The subject of this work is the capital vice gluttony and its manifold and complex presence in two o...
The subject of this work is the capital vice gluttony and its manifold and complex presence in two o...
This essay invites its readers to view the Canterbury Tales through the prism of the Parson’s Tale, ...
If there is one question that underpins the evaluation of any great literary work, it is the followi...
In the scholarship surrounding The Canterbury Tales, the subject of drunkenness has generally been n...
The Host's call for "Tales of best sentence and most solaas" is the only aesthetic criterion raised ...
The Host's call for "Tales of best sentence and most solaas" is the only aesthetic criterion raised ...
Introduction: Mobility and contestation -- "We witen nat what thing we preyen heere": desire, knowle...
This essay studies the various ways in which trouthe is employed in The Canterbury Tales which prese...
Introduction: Mobility and contestation -- "We witen nat what thing we preyen heere": desire, knowle...
In the Middle Ages, when men were urged both to know and to love truth, pathos frequently participat...
In the following study, I intend to examine Chaucer\u27s use of the vice of flattery in three of The...
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
Part of a special issue on René Girard. The tales of fragment 7 of Chaucer\u27s Canterbury Tales col...
The subject of this work is the capital vice gluttony and its manifold and complex presence in two o...
The subject of this work is the capital vice gluttony and its manifold and complex presence in two o...
This essay invites its readers to view the Canterbury Tales through the prism of the Parson’s Tale, ...
If there is one question that underpins the evaluation of any great literary work, it is the followi...
In the scholarship surrounding The Canterbury Tales, the subject of drunkenness has generally been n...
The Host's call for "Tales of best sentence and most solaas" is the only aesthetic criterion raised ...
The Host's call for "Tales of best sentence and most solaas" is the only aesthetic criterion raised ...
Introduction: Mobility and contestation -- "We witen nat what thing we preyen heere": desire, knowle...
This essay studies the various ways in which trouthe is employed in The Canterbury Tales which prese...
Introduction: Mobility and contestation -- "We witen nat what thing we preyen heere": desire, knowle...
In the Middle Ages, when men were urged both to know and to love truth, pathos frequently participat...
In the following study, I intend to examine Chaucer\u27s use of the vice of flattery in three of The...
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
This study examines Chaucer\u27s manipulations of medieval rhetorical theory in the chivalric narrat...
Part of a special issue on René Girard. The tales of fragment 7 of Chaucer\u27s Canterbury Tales col...